Hillsong Worship What A Beautiful Name Chords Analysis

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"What a Beautiful Name," the iconic anthem by Hillsong Worship, transcends its 2011 origins to become a cornerstone of modern Christian worship, blending theological depth with infectious melody. Composed by Ben Fielding and Reuben Morgan, the song’s lyrics—rooted in Scripture—elevate Jesus’ divine identity through poetic simplicity, while its chord progressions and vocal arrangements have inspired countless adaptations across global congregations. From its debut on Cornerstone to its adoption in megachurches and contemporary covers by artists like Maverick City Music, the track’s universal appeal lies in its harmonious fusion of biblical reverence and musical accessibility.

The song’s enduring legacy extends beyond its lyrical and musical craftsmanship, serving as both a doctrinal reflection and a congregational rallying cry. Its structure—marked by repetitive yet resonant phrasing—reinforces memorability while inviting deep theological meditation. Whether analyzed through its chord progressions in keys like G or D, its biblical references to Isaiah 9:6 or Revelation 19:12, or its performance techniques for dynamic vocal layering, "What a Beautiful Name" offers a multifaceted study in worship music design. This exploration dissects its compositional elements, theological underpinnings, and practical applications for musicians and leaders seeking to replicate its impact.

hillsong worship what a beautiful name chords

Historical Context and Origins of "What a Beautiful Name" by Hillsong Worship

"What a Beautiful Name" by Hillsong Worship stands as one of the most widely adopted contemporary Christian worship songs globally, celebrated for its theological depth and melodic simplicity. Released in 2011, the song was co-written by Ben Fielding and Reuben Morgan, two key figures in Hillsong’s worship music division. Its creation marked a pivotal moment in modern Christian worship, blending lyrical reverence with accessible musicality, thereby influencing countless congregations and artists worldwide. The song’s enduring popularity stems from its ability to articulate profound biblical truths—particularly the identity of Jesus Christ—while maintaining emotional resonance across diverse cultural and denominational contexts.

The development of "What a Beautiful Name" reflects Hillsong Worship’s strategic approach to crafting music that bridges theological richness and congregational engagement. Below, a chronological overview traces its origins, key contributors, and cultural impact, followed by an analysis of its theological themes and comparative adaptations by other worship artists.

Chronological Timeline of "What a Beautiful Name"

The song’s journey from composition to global adoption can be summarized in the following key milestones:
Year Event Contributors Cultural/Religious Impact
2011 Official release on the album Cornerstone: Songs from the Key of Life. Ben Fielding (lyrics/music), Reuben Morgan (lyrics/music), Joel Houston (production oversight). Debuted as part of Hillsong’s Cornerstone series, which emphasized Christ-centered worship themes. The song’s release coincided with a global resurgence of congregational singing in megachurches and online platforms.
2012–2013 Widespread adoption in churches, particularly in the U.S., Australia, and Europe. Hillsong Worship (primary), with early covers by smaller worship bands. Featured in worship conferences (e.g., Passion Conferences, Global Project) and integrated into youth ministry curricula. Its repetitive, anthemic structure made it ideal for large gatherings.
2015 Inclusion in Hillsong’s United We Stand tour and subsequent live albums. Hillsong Worship Collective, with additional arrangements by Joel Davies (keys) and Deddie Ramone (drums). Reinforced its status as a staple in Hillsong’s live worship repertoire, further solidifying its place in contemporary Christian music (CCM).
2016–Present Global viral spread via YouTube, Spotify, and social media platforms. Over 500+ cover versions by artists across denominations (e.g., Maverick City Music, Bethel Music, Elevation Worship). Transcended denominational boundaries, adopted in Catholic, Protestant, and non-denominational settings. Became a cultural phenomenon, often sung at weddings, funerals, and public events.
The song’s timeline highlights its rapid transition from a Hillsong Worship original to a transcultural anthem, reflecting broader shifts in how contemporary worship music is consumed and adapted.

Theological Themes and Lyrical Analysis

"What a Beautiful Name" centers on the redemptive identity of Jesus Christ, weaving together Old and New Testament themes of salvation, sovereignty, and divine love. The lyrics draw from biblical passages such as Isaiah 9:6 ("Mighty God"), Philippians 2:9 ("Name above all names"), and Revelation 19:12 ("King of kings"), framing Jesus as both Savior and Sovereign. Below is a blockquote summarizing its core theological assertions, supported by direct lyrics:
The song’s refrain—"Jesus, Your name is beautiful"—serves as a declarative affirmation of Christ’s supremacy. Key theological themes include:
  • Divine Identity: The lyrics "Mighty God, Author of creation" (Isaiah 9:6) and "Name above all names" (Philippians 2:9) underscore Jesus’ co-eternal nature with the Father.
  • Redemption: "You are the hope of glory" and "Prince of peace" (Isaiah 9:6) tie Christ’s birth to His atoning work, emphasizing salvation as both a past and future reality.
  • Sovereignty: "King of kings" (Revelation 19:16) and "Lamb upon the throne" (Revelation 5:6) portray Jesus as the ultimate authority over creation and history.
  • Personal Relationship: Phrases like "You are the hope of glory" and "You are the cornerstone" (Ephesians 2:20) invite congregational intimacy with Christ, blending doctrinal truth with emotional worship.
The song’s structure—alternating between declarations of Christ’s attributes and personal responses ("You are the hope of glory, the one who gives me life")—mirrors the call-and-response dynamic of historic hymns, yet adapts it to modern worship rhythms.
The lyrical economy of "What a Beautiful Name" ensures its accessibility while preserving theological weight, making it a model for contemporary worship writing.

Comparative Analysis: Original vs. Cover Versions

While "What a Beautiful Name" retains a consistent lyrical core, cover versions by artists like Maverick City Music, Bethel Music, and Elevation Worship introduce stylistic and theological nuances. Below is a comparative table highlighting key differences:
Element Hillsong Worship (Original, 2011) Maverick City Music (2017) Bethel Music (2018) Elevation Worship (2019)
Musical Style Pop-rock with anthemic choruses, minimal instrumental complexity. Focus on vocal harmonies and repetitive, singable melodies. Urban contemporary with hip-hop/R&B influences. Features syncopated rhythms, electronic beats, and a more dynamic arrangement. Worship-blend with orchestral and gospel elements. Includes strings, choirs, and a slower, more reflective tempo in the bridge. Modern worship with a cinematic quality. Uses layered vocals, piano-driven verses, and a gradual build in intensity.
Lyrical Emphasis Balanced focus on Christ’s attributes and personal devotion. Refrain prioritizes "Jesus, Your name is beautiful" as the central declaration. Adds a bridge

hillsong worship what a beautiful name chords - Ilustrasi 2

Musical Structure and Chord Progression Analysis of What a Beautiful Name

What a Beautiful Name by Hillsong Worship exemplifies modern worship music’s blend of accessibility, harmonic sophistication, and emotional resonance. Its structure balances repetition for congregational engagement with subtle harmonic shifts to sustain dynamic tension. The chord progressions, rooted in diatonic functionality with occasional borrowed chords, create a sense of stability and uplift while incorporating suspensions and modal inflections in the bridge. Below is a detailed analysis of its musical architecture, including chord progressions in multiple keys, transposition strategies, and instrumental arrangement guidelines for a 4-piece band.

Chord Progression in Capo 1 (Key of G) and Capo 0 (Key of D)

The song’s original recording uses Capo 1, effectively placing the key in G major while allowing vocalists to sing in a higher, more resonant register. Below is the full chord progression for both capo settings, formatted with measures, strumming patterns, and lyric snippets for contextual reference.
Measure Capo 1 (Key of G) Capo 0 (Key of D) Strumming Pattern Lyric Snippet
1-4 (Verse) G - C - G - D D - G - D - A Down, Down-Up, Up-Down-Up, Down "Jesus, Your name"
5-8 (Verse) Em - C - G - D Bm - G - D - A Same as above "Is stronger"
9-12 (Pre-Chorus) C - G - D - Em G - D - A - Bm Down, Down-Up, Down-Down-Up, Down "Blessed be Your name"
13-16 (Chorus) G - D - Em - C D - A - Bm - G Down, Down-Up, Up-Down-Up, Down "In the garden"
17-20 (Bridge) C - G/B - Am - G G - D/B - F#m - D Syncopated strums (e.g., "1 & 2 &") "In Your presence"
21-24 (Outro) G - C - G - D D - G - D - A Palm-muted arpeggios "All creation"
Key Observations:
  • The verse progression (I - V - I - IV) follows a classic pop/rock formula, reinforcing tonal stability.
  • The pre-chorus (V - I - IV - ii) introduces a pivot toward the chorus, creating forward motion.
  • The bridge (V - V/III - vi - I) employs G/B (D/B in Capo 0), a suspended chord (G/B = Gsus4), which adds harmonic ambiguity before resolving to G (I). This technique is common in worship music to evoke a sense of awe or transcendence.

    • Transposition to Three Alternative Keys (C, A, E)

    Transposing What a Beautiful Name accommodates vocal ranges, instrumental comfort, and congregational dynamics. Below are the adjusted chord progressions, strumming variations, and performance considerations for C major (Capo 3), A major (Capo 2), and E major (Capo 0).

    Context for Transposition:
    Transposing requires adjusting capo placement, chord shapes, and strumming rhythms to maintain the song’s emotional impact. For example:

  • Strumming in lower keys (e.g., A or E) may benefit from faster tempos to compensate for deeper bass frequencies.
  • Higher keys (e.g., C) often use palm muting to emphasize clarity in fast sections (e.g., chorus).
    • Key Capo Position Verse Chords Chorus Chords Bridge Chords Strumming Adjustment Performance Note
    C Major Capo 3 C - F - C - G C - G - Am - F F - C/E - Em - C Add ghost notes on "1 &" for bridge Ideal for tenor/bass singers; chorus may require higher strumming intensity.
    A Major Capo 2 A - D - A - E A - E - F#m - D D - A/C# - F#m - A Use syncopated bass notes (e.g., root on "2 &") Balances power and clarity; drums should emphasize snare on 2 & 4.
    E Major Capo 0 E - B - E - A E - A - Bm - E B - E/D# - C#m - E Arpeggiate chords in bridge for a "floating" effect Best for baritone voices; keys should use sustained notes in chorus.
    Strumming Pattern Variations by Key:
  • C Major: Emphasize downstrokes on "1" to cut through mixed vocals.
  • A Major: Incorporate half-time strums (e.g., "1 & a 2 &") in the bridge for drama.
  • E Major: Use triplet-based strums (e.g., "1-trip-let") to match the song’s anthemic feel.

    • Step-by-Step Guide to Arranging for a 4-Piece Band

    A 4-piece band arrangement of What a Beautiful Name should prioritize rhythmic lock, harmonic richness, and dynamic contrast. Below is a section-by-section breakdown of instrumental roles, with emphasis on textural layering and harmonic reinforcement.

    Context for Arrangement:
    The song’s simplicity belies its need for subtle instrumental interplay. For example:

  • The guitar carries the melody and chords, while the keys add pads or stabs to thicken harmonies.
  • The bass should lock with the kick drum but also syncopate in the bridge to mirror the guitar’s rhythmic complexity.
  • The drums provide the backbone but use cymbal swells and toms to elevate emotional peaks.
    • Section Guitar Bass Keys Drums
    Verse
    • Chord voicings: Standard open chords (e.g., G

      Lyrical Themes and Biblical References in What a Beautiful Name

      The lyrics of What a Beautiful Name by Hillsong Worship weave intricate theological depth through poetic imagery and direct biblical allusions, positioning Jesus Christ as the ultimate revelation of divine love and sovereignty. The song’s lyrical framework integrates Messianic prophecies, Christological titles, and pastoral metaphors to craft a cohesive narrative of redemption and worship. Below, the analysis explores key biblical references, comparative Christological portrayals, and the structural reinforcement of worship themes through repetition.

      Five Key Biblical Passages Referenced in the Lyrics

      The song’s lyrics draw explicitly from Old Testament prophecies and New Testament revelations to underscore Jesus’ identity as the fulfillment of divine promises. The following table organizes five central biblical references, their theological significance, and corresponding lyric excerpts:
      Verse Biblical Reference Theological Link Lyric Excerpt
      Isaiah 9:6 “For to us a child is born, to us a son is given; and the government will be upon his shoulder, and his name will be called Wonderful Counselor, Mighty God, Everlasting Father, Prince of Peace.” Establishes Jesus’ divine attributes as the Messiah, blending humanity ("child") with deity ("Mighty God"). “Wonderful Counselor, Mighty God, Everlasting Father, Prince of Peace.”
      Isaiah 40:3 “A voice cries: ‘In the wilderness prepare the way of the Lord; make straight in the desert a highway for our God.’” Connects John the Baptist’s ministry (preparing hearts for Christ) to Jesus’ arrival as the divine Redeemer. “You are the hope of glory, the One who holds it all together.” (Implied through the theme of preparation and fulfillment.)
      Revelation 19:13 “He is clothed in a robe dipped in blood, and the name by which he is called is The Word of God.” Highlights Jesus’ victorious and sacrificial nature, tying His name to divine authority and redemption. “Jesus, Your name is mighty, Your name is strong.”
      Psalm 23:1 “The Lord is my shepherd; I shall not want.” Frames Jesus as the ultimate Shepherd, providing guidance, protection, and sustenance. “You are the Shepherd, leading us in paths of righteousness.”
      John 10:11 “I am the good shepherd. The good shepherd lays down his life for the sheep.” Emphasizes Jesus’ sacrificial love and pastoral care, contrasting with false shepherds. “You are the hope of glory, the One who holds it all together.” (Contextualized through the Shepherd metaphor.)
      These references collectively present Jesus as the fulfillment of Old Testament promises, bridging divine revelation with New Testament fulfillment. The lyrics distill complex theological truths into accessible, worshipful declarations, reinforcing the song’s role as both doctrinal affirmation and devotional expression.

      Comparison of Christological Names in What a Beautiful Name and Traditional Hymns

      Contemporary worship songs like What a Beautiful Name often employ similar Christological titles as traditional hymns, though their contextual and emotional delivery may differ. The following table compares the portrayal of Jesus’ names in What a Beautiful Name with those in "O Holy Night" (1847), highlighting shifts in theological emphasis and emotional tone:
      Song Name Highlighted Context Emotional Tone
      What a Beautiful Name Wonderful Counselor, Mighty God Direct proclamation of Jesus’ divine authority and redemptive role, tied to Isaiah 9:6. Exultant, declarative, and personal (e.g., “You are the hope of glory”).
      O Holy Night Jesus, Son of God Narrative of the Incarnation, emphasizing Christ’s birth as divine intervention in human history. Reverent, narrative-driven, and awe-inspired (e.g., “Silent night, holy night”).
      What a Beautiful Name Prince of Peace Peace as both spiritual reconciliation and divine governance, rooted in Isaiah 9:6. Assurance and triumph (e.g., “You are the hope of glory”).
      O Holy Night King of Kings Messianic kingship, linking Christ’s birth to eternal sovereignty. Majestic and solemn (e.g., “God and sinners reconciled”).
      What a Beautiful Name Everlasting Father Divine paternity and eternal care, contrasting with human fatherhood. Intimate and protective (e.g., “Shepherd leading us”).
      O Holy Night Savior Salvation as the central theme, framed through the Nativity. Gratitude and wonder (e.g., “Christ is the Lord”).
      While both songs affirm Christ’s divine titles, What a Beautiful Name adopts a more direct, repetitive structure to emphasize personal worship, whereas "O Holy Night" weaves titles into a broader narrative of the Nativity. The emotional tone in contemporary worship leans toward declarative praise, whereas traditional hymns often balance narrative and doctrinal reflection.

      Metaphor of Jesus as a Shepherd in the Lyrics

      The lyrics employ the shepherd motif to convey Jesus’ role as a divine guide, protector, and sustainer, directly echoing Psalm 23 and John 10:11. This metaphor underscores themes of provision, guidance, and sacrificial love, framing Jesus as both the ultimate Shepherd and the Good Shepherd who lays down His life for His sheep.
      The lyrics “You are the Shepherd, leading us in paths of righteousness” (paraphrased from Psalm 23:3) transform the ancient pastoral imagery into a contemporary worship declaration. Unlike Psalm 23’s first-person assurance (“I shall not want”), the song universalizes the Shepherd’s care, addressing a corporate audience. Similarly, the reference to Jesus as the “One who holds it all together” aligns with John 10:11’s depiction of the Good Shepherd’s sacrificial love, where His death becomes the means of eternal security. The metaphor thus serves as a unifying thread, linking Old Testament covenant promises with New Testament fulfillment.
      The shepherd motif in What a Beautiful Name functions as both a theological anchor and an emotional bridge, inviting listeners to experience Jesus’ care as personal and immediate. This approach distinguishes it from hymns that may treat the metaphor as symbolic, instead embedding it within a framework of active worship.

      Repetition and Emotional Reinforcement in the Song Structure

      The repetitive structure of What a Beautiful Name—particularly the refrain “What a beautiful name it is”—serves a dual purpose: it enhances memorability while escalating emotional peaks during worship. The table below maps the song’s repetitive elements to their corresponding emotional and theological impacts:

      hillsong worship what a beautiful name chords - Ilustrasi 3

      Performance Techniques and Vocal Arrangements in What a Beautiful Name

      The execution of What a Beautiful Name by Hillsong Worship relies heavily on precise vocal layering, dynamic contrast, and congregational engagement. The song’s arrangement balances intimacy in verses with soaring, anthemic choruses, requiring deliberate performance techniques to maintain emotional impact and accessibility. Below are structured approaches to vocal arrangements, dynamic control, ad-lib integration, and practice routines to address the song’s key challenges.

      Vocal Layering Guide for the Chorus

      The chorus of What a Beautiful Name features rich harmonic textures through layered vocal parts, typically arranged in 3- to 4-part harmonies with a focus on blend and balance. The primary harmonies are built on parallel motion (moving in similar intervals) and block chords (harmonies sung simultaneously), with occasional suspensions (e.g., the "ah-ah" ad-libs) to create lift.

      Pitch Intervals and Ranges by Vocal Part
      The following table outlines the suggested vocal ranges and interval relationships for each part during the chorus (key of G major). Intervals are referenced from the melodic lead (soprano) unless otherwise noted.

      Repetitive Element Lyric Excerpt Emotional Peak
      Vocal Part Range (Approx.) Interval from Lead (Soprano) Chord Function Example Notes (Chorus: "Jesus, Your name")
      Soprano G4 – D5 Unison (root) Melodic lead, carries the primary line G4 ("Jes-us"), B4 ("Your name"), D5 ("is won-der-ful")
      Alto E4 – B4 Perfect 5th below (or major 3rd in some arrangements) Harmonic support, adds depth E4 ("Jes-us"), G4 ("Your name"), B4 ("is won-der-ful")
      Tenor C4 – G4 Octave below (or perfect 4th in 3-part) Foundational harmony, anchors the blend C4 ("Jes-us"), E4 ("Your name"), G4 ("is won-der-ful")
      Bass G3 – D4 Octave below soprano (or 5th below alto) Low-end reinforcement, grounds the harmony G3 ("Jes-us"), B3 ("Your name"), D4 ("is won-der-ful")
      Harmony Notation for Key Phrases
    • Chorus (G Major):
    • "Jesus, Your name":
      • Soprano: G4 – B4 – D5
      Alto: E4 – G4 – B4
      Tenor: C4 – E4 – G4
      Bass: G3 – B3 – D4
    • "Is wonderful":
      • Soprano: D5 – C5 – B4
      Alto: B4 – A4 – G4
      Tenor: G4 – F#4 – E4
      Bass: D4 – C4 – B3

      Blending Tips:

    • Unison passages (e.g., "Jesus, Your name") should prioritize vowel uniformity (e.g., "ah" for "name") to avoid disharmony.
    • Harmonic layers (e.g., "be-yond dis-crip-tion") can introduce close harmonies (3rds/6ths) for a lush texture.
    • Ad-libs (e.g., "ah-ah-ah") are typically sung in unison or octaves by altos/sopranos, with tenors/basses reinforcing the rhythm.

      • Dynamic Control in Live Performances

      The dynamic arc of What a Beautiful Name transitions from intimate verses to explosive choruses, requiring careful volume shaping and breath management. Below is a structured approach to dynamic control, including volume markers and technical cues for transitions.

      Volume Markers by Section
      The following table outlines dynamic levels (using Italian terminology) for each section, along with performance techniques to achieve seamless transitions.

      Section Dynamic Level Technique Transition Cue
      Verse Piano (soft) to Mezzo-Piano (moderately soft)
      • Use light articulation (legato with minimal vibrato) to maintain intimacy.
      • Breath support: Sing on a supported "ng" or "h" breath (e.g., "Jes-us" → "Jes-uhs") to avoid breathiness.
      • Microphone proximity: Position closer to the mic (3–6 inches) for warmth.
      		 Gradual swell into pre-chorus (begin raising volume at "and all that You are").
      Pre-Chorus Mezzo-Forte (moderately loud) to Forte (loud)
      • Introduce wider vibrato (8–12 Hz) to build emotional tension.
      • Dynamic crescendo: Increase volume by 10–15% per phrase (e.g., "and all that You are" → "You are").
      • Body movement: Shift from static to subtle swaying to engage the audience.
      		 Hold forte at the last word of pre-chorus ("are") before explosive chorus entry.
      Chorus Fortissimo (very loud) to Mezzo-Forte (release)
      • Full-body resonance: Engage chest and head voice for power.
      • Ad-lib timing: Release "ah-ah-ah" on the upbeat of the next phrase for rhythmic drive.
      • Volume drops: After the first chorus, reduce to mezzo-forte for contrast before repeating.
      		 Return to piano for bridge ("You are holy").
      Bridge Piano to Mezzo-Piano
      • Whispered phrases: Use half-voice (e.g., "You are holy") for vulnerability.
      • Dynamic dip: Lower volume by 30% before the final chorus.
      		 Build gradually into the final chorus with a ritardando (slowing) before accelerating.
      Breath Control for Dynamic Transitions
    • Verse to Pre-Chorus: Take a hidden breath (e.g., during "and all that You are") to prepare for the swell.
    • Chorus Release: After the first chorus, exhale slowly while descending the scale (e.g., "D5 – C5 – B4") to avoid breathiness.
    • Bridge Reentry: Use a sigh breath (exhaling "sss" sound) before "You are holy" to reset vocal folds.

      • Ad-Libs and Call-and-Response Patterns

      Ad-libs and call-and-response elements in What a Beautiful Name serve to unify the congregation and heighten emotional peaks. The song employs repetitive phrases, rhythmic echoes, and improvised responses to create a participatory experience.

      Common Ad-Libs and Integration Points
      The following table lists key ad-lib

      "What a Beautiful Name" stands as a testament to the power of worship music to distill complex theology into accessible, emotionally resonant art. Through its meticulously crafted chord progressions—whether in Capo 1 (G) or transposed for live performance—and its lyrical echoes of Scripture, the song bridges tradition and contemporary praise. The repetitive yet evolving structure of its verses and choruses mirrors the cyclical nature of worship itself, while its harmonies and vocal arrangements create a participatory experience that unites congregations worldwide. As musicians and leaders continue to adapt and perform this anthem, its core message—celebrating Jesus’ divine names—remains a timeless call to adoration, proving that great worship transcends cultural shifts and generational divides.

      FAQ

      What are the chords for "What a Beautiful Name" by Hillsong Worship in the key of C?

      The chords for "What a Beautiful Name" in the key of C are: C, G/B, A, F, G, C. The progression follows the pattern: C – G/B – A – F (repeated) with a bridge variation.

      How do I play "What a Beautiful Name" by Hillsong Worship in the key of D?

      The chords for "What a Beautiful Name" in the key of D are: D, A/C#, E, B, A, D. The main progression is D – A/C# – E – B, with the bridge shifting to F#m – G – A – B.

      Where can I find piano chords for "What a Beautiful Name" by Hillsong Worship?

      The piano chords for "What a Beautiful Name" (original key of G) are: G, E, C, D, Em, C. The left hand typically plays a simple G-C-D pattern in the verses, with arpeggios in the chorus. Sheet music is available on sites like MusicNotes or Ultimate Guitar.

      Do you have the lyrics and chords for "What a Beautiful Name" by Hillsong Worship?

      Here’s the chorus with chords (key of G): [G] What a beautiful [E] name it [C] carries [D], [G] What a [E] beautiful [C] name it [D] carries. Full lyrics and chords can be found on worship sites like SongSelect or Hillsong’s official resources.

      What are the guitar chords for "What a Beautiful Name" by Hillsong Worship?

      The guitar chords for "What a Beautiful Name" (key of G) are: G, E, C, D, Em, C. Strumming pattern: down-down-up-up-down for verses, with palm muting. Capo options (e.g., capo 2 for key of D) change the shape but not the sound.

      Are there ukulele chords for "What a Beautiful Name" by Hillsong Worship?

      Yes. The ukulele chords (key of G) are: G, E, C, D, Em, C. Play in GCEA tuning, with simplified fingerings (e.g., G = 0200, C = 0003). Tab and strumming guides are available on Ukulele Tricks or [Ultimate Guitar].

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